Glock Revelation: Learning the Melody

Last night I had a simple and empowering experience. Instead of waiting around, while the Apocalypso Tantric Boys Choir's new track "Preaching to the Choir" was being figured out by James and Eric, I decided to learn the header also, on the Glockenspiel.

It made me realize how much time I have been wasting because I thought of myself only as a drummer. This is a seriously huge revelation. Learning the melody gave me a deeper window into the form, and consequently intimacy and command were both amplified.

I might even get to play the Glock on the outro. YES!



Then after rehearsal you can really let your hair down.

Silence and Professional Etiquette

photo by Hiroshi Sugimoto

Recently I realized that I was noodling a lot between songs and while my band mates were setting up their amps and the PA system. I figured I couldn't really help them and I didn't want to just sit there and do nothing.

I have a lot of work lugging, hauling, setting up hardware and drums etc. Because of this, once I am set up, I am anxious for the chance to play and continue my divine romance with my instrument. This fire is vital and the desire to play should be cultivated.

However I have made a rule for myself and it goes for LIVE SHOWS, RECORDING, AND REHEARSALS. Except for tuning and basic soundcheck protocol any other playing or experimenting is not allowed.

Silence is the ground of music and it cultivates the fire and the conditions to be present and grateful when it is time to play. It also makes setting up quieter and more efficient and communicating between songs effortless. It is basic professional etiquette and I highly recommend implementing it immediately.